All-rounder Artist

Chapter 252 - 236 Tuner_1

Chapter 252: Chapter 236 Tuner_1

“In customization…”

“In customization…”

“In customization…”

Lin Yuan suspected that the system had crashed.

Usually, the system’s customization took only ten seconds to produce work, occasionally a few dozen if it took longer. But this time, the system took a full five minutes before finally responding to Lin Yuan: “Random customization successful, would the host like to accept the price of 25 million for the script?” “How much?”

Lin Yuan thought he had misheard.

The system said, “Twenty-five million.”

Lin Yuan suspected the system was joking, selling a movie script for such a high price. With twenty-five million, he could probably write quite a few songs, or even a couple of novels, right?

That being said…

Lin Yuan’s first movie, “Flirting Scholar,” had a terrifying gold-winning ability.

If the new film still had this level of profitability, then it didn’t seem unreasonable to spend that amount on a script, right?

They are all tricks.

The longest road Lin Yuan has walked is the system’s tricks.

“Anyway, the money has gone to charity, what more can I say? You say how much, then that’s the price. If the film doesn’t make money, I won’t make films anymore,”

Lin Yuan threatened.

The system was unmoved: “Do you want to customize?”

Lin Yuan gritted his teeth and said: “Do it, do it, do it!”

“Ding-dong!”

The system prompt: “Congratulations on getting the system’s script ‘The Pianist’!”

At the same time.

Lin Yuan’s money was deducted by the system by twenty-five million.

No time to feel the pain.

Lin Yuan’s attention was concentrated on the script for “The Pianist”.

This is a…

Crime suspense movie script.

At this point, Lin Yuan had familiarized himself with the script through quantum reading.

Well, how should he put it?

He knew the new film’s genre would definitely be a departure from “Flirting Scholar!”

The script for this film abruptly shifted him from a comedy film to the genre of crime and suspense-

similar experiences occurred when Lin Yuan was writing novels.

For example, he was doing quite well with his novel “King of the Net,” but then the system threw a fantasy novel at him.

Just as he was doing pretty well with the fantasy novel, the system then had him write “Ghost Blowing the Lamp.”

Well, it’s quite a leap.

A very big leap, indeed.

Not to mention that the outside world can’t guess what type Chu Kuang’s next novel will be.

Even Lin Yuan himself was baffled…

In the future, will it become a case of Lin Yuan and the outside world guessing together what type Xian Yu’s next film will be?

Alright.

No more gripes.

After Lin Yuan read the script of “The Pianist” at light speed, he had a general understanding of the situation.

Firstly, what can be confirmed is that the script for “The Pianist” was adapted from an Indian film.

But it must be said that the Indian side was not original either.

Because this Indian film was adapted from a French short film.

In other words…

France produced a short film called “The Pianist”, which was adapted by India into a full-length film, and the system then adapted the Indian film into a Blue Star film…

After three rounds of adaptation.

But the system also gave Lin Yuan a prompt: “The first adaptation was done by the system, and the adaptation of the film background will be done by the host in the future.”

Lin Yuan didn’t mind.

He’s very proficient in changing backgrounds.

The only question is, will this movie make a profit?

It’s no blockbuster, and “The Pianist” is a film that places more emphasis on plot logic. It’s not easy for this kind of film to achieve high box office returns. By the way.

The movie’s title can also be tweaked.

Aside from the protagonist being a piano player, the film seems to have no real connection with the title “The Pianist”.

Although the original title of the film was indeed “The Pianist”, and the protagonist’s profession in the original French film was indeed a piano tuner. But in reality, in the Indian plot, the protagonist is a pianist, so it would be more appropriate to call the film “The Pianist”.

Also, the Indian side translated the movie title as “Blind Melody” or “Invisible Melody”.

The director even considered names like “Kill the Pianist”.

All in all.

No matter what the movie is called, it cannot change the film’s core conflict!

The central conflict of “The Pianist” revolves around a pianist pretending to be blind, who ends up in a movie star’s home to play the piano.

As a result, he witnesses a murder.

Because of his pretense of being blind, the killer temporarily spares the main character.

After leaving the house, the male protagonist immediately goes to the Patrol House to report the crime.

However, before he could successfully report the crime, he was horrified to discover that-

The arrest officer at the Patrol House turned out to be the killer he had just witnessed?

The plot suddenly becomes tense.

Lin Yuan had never seen this film before, so the script provided by the system brought a fresh feeling to him.

This design is really ingenious.

The protagonist, who has long been pretending to be blind, ends up witnessing a murder-

just thinking about it is a bit thrilling.

Apart from the script, the system also provided Lin Yuan with the original film for reference.

After watching the film, Lin Yuan compared it with the script provided by the system and found that the system slightly adjusted the film’s pace.

For example, in the film, many scenes about how the male lead met his girlfriend and their interactions were largely cut out.

The film enters conflict more quickly now.

Beyond that.

There’s another interesting aspect in this film.

The protagonist plays several original songs, and the sheet music for these piano pieces were also provided to Lin Yuan by the system…

Wait a minute!

This couldn’t be the reason why the system wanted him to film “The Pianist,” could it?

If you say that Zhou-style comedy has nothing to do with Lin Yuan’s identity as a composer, then “The Pianist” really needs the existence of a composer!

Just like the large number of poems and songs in “Flirting Scholar”.

The songs needed in “The Pianist” are of very high quality.

Right.

Perhaps the “Manage d’Amour” that he never got the chance to release can also be released through this film!

This is what movies are all about.

Movies can encompass all kinds of art, forming an absolute visual and auditory impact!

Thinking about this.

Lin Yuan suddenly felt that the script for “The Pianist” was quite good.

Whether it’s the cost of the film or the quality of the script, it seems to be a pretty good project.

But when it comes to actors…

Originally, Lin Yuan was inclined to use familiar actors from “Flirting Scholar,” such as He Sheng.

But now, it seems that the male lead can’t be used.

The female lead can be considered for a role, like the male protagonist’s lover.

What was the name of that actress?

Anyway, it’s not expensive.

The director doesn’t matter; he can continue to use Yi Chenggong.

The reason is simple.

Because Lin Yuan’s films are definitely core-scripted, and the director is just a tool for Lin Yuan to achieve his goal.

The film is already detailed in Lin Yuan’s script on how it should be shot….